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ONE:Finally, by the form which he gave to Platonism, Plotinus has had a large share in determining the direction of modern metaphysics. Although, as we have seen, not, properly speaking, a pantheist himself, he showed how the ideal theory could be transformed into a pantheistic system, and pantheism it immediately became when the peculiar limitations and subtleties of Greek thought had ceased to dominate over the western mind, and when the restraints of Catholic orthodoxy had been removed or relaxed. The stream of tendency in this direction runs all through the Middle Ages, and acquires new volume and momentum at the Renaissance, until, by a process which will be analysed in the next chapter, it reaches its supreme expansion in the philosophy of Spinoza. Then, after a long pause, it is taken up by Kant��s successors, and combined with the subjective idealism of modern psychology, finally passing, through the intervention of Victor Cousin and Sir William Hamilton, into the philosophy of Mr. Herbert Spencer.

ONE:"That is easy. I had no desire to speak of my humble past. I was brought up near that flower farm where Mme. Lalage made that marvellous perfume. I am passionately fond of it, the more so that you cannot get it now. I use it sometimes in the evening after the others have gone to bed. But how did you know----"Even as regards physical phenomena, Socrates, so far from professing complete ignorance, held a very positive theory which he was quite ready to share with his friends. He taught what is called the doctrine of final causes; and, so far as our knowledge goes, he was either the first to teach it, or, at any rate, the first to prove the existence of divine agencies by its means. The old poets had occasionally attributed the origin of man and other animals to supernatural intelligence, but, apparently, without being led to their conviction by any evidence of design displayed in the structure of organised creatures. Socrates, on the other hand, went through the various external organs of the human body with great minuteness, and showed, to his own satisfaction, that they evinced the workings of a wise and beneficent Artist. We shall have more to say further on about this whole argument; here we only wish to observe that, intrinsically, it does not differ very much from the speculations which its author derided as the fruit of an impertinent curiosity; and that no one who now employed it would, for a single moment, be called an agnostic or a sceptic.

ONE:IV.

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TWO:It will be seen that we do not consider the two kinds of Nous to differ from each other as a higher and a lower faculty. This, in our opinion, has been the great mistake of the commentators, of those, at least, who do not identify the active Nous with God, or with some agency emanating from God��a hypothesis utterly inconsistent with Aristotle��s theology. They describe it as a faculty, and as concerned with some higher kind of knowledge than what lies within the reach of the passive Nous.258 But with Aristotle faculty is always a potentiality and a passive recipient, whereas the creative reason is expressly declared to be an actuality, which, in this connexion, can mean nothing but an individual idea. The difficulty is to understand why the objective forms of things should suddenly be spoken of as existing within the mind, and denominated by a term carrying with it such subjective associations as Nous; a difficulty not diminished by the mysterious comparison with light in its relation to colour, an illus368tration which, in this instance, has only made the darkness visible. We believe that Aristotle was led to express himself as he did by the following considerations. He began by simply conceiving that, just as the senses were raised from potency to actuality through contact with the corresponding qualities in external objects, so also was the reasoning faculty moulded into particular thoughts through contact with the particular things embodying them; thus, for instance, it was led to conceive the general idea of straightness by actual experience of straight lines. It then, perhaps, occurred to him that one and the same object could not produce two such profoundly different impressions as a sensation and a thought; that mind was opposed to external realities by the attribute of self-consciousness; and that a form inherent in matter could not directly impress itself on an immaterial substance. The idea of a creative Nous was, we think, devised in order to escape from these perplexities. The ideal forms of things are carried into the mind, together with the sensations, and in passing through the imagination, become purified from the matter previously associated with them. Thus they may be conceived as part of the mind��in, though not yet of it��and as acting on its highest faculty, the passive Nous. And, by a kind of anticipation, they are called by the name of what they become completely identified with in cognition. As forms of things they are eternal; as thoughts they are self-conscious; while, in both capacities, they are creative, and their creative activity is an essentially immaterial process. Here we have the old confusion between form and function; the old inability to reconcile the claims of the universal and the particular in knowledge and existence. After all, Aristotle is obliged to extract an actuality from the meeting of two possibilities, instead of from the meeting of an actuality and a possibility. Probably the weakness of his own theory did not escape him, for he never subsequently recurs to it.259

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THREE: